I wish I had time to describe the entire Blind Date Concert I took part in at the National Arts festival in Makhanda in June this year – the rich diversity of personalities, music, poetry and performances; the energy and wit of our dynamic MC, Fiks Mahola; the professionalism of our stage crew who managed our sound, lighting and props so efficiently; and, of course, our wonderfully responsive audiences.
I’d love to be able to share the entire experience with you so you could understand what a special show this was. But sadly, all I can do at this stage is to share a video of my own performance.
This was recorded on the second night of the show and includes an introduction by award-winning blind poet Lelethu “Poetic Soul” Mahambehlala, who graced each of us with a poem based on our own stories. Lelethu was dynamite, as I’m sure you’ll see when you watch the clip.
On that note, it’s showtime, folks! So, get ready for your cue…
I know many people feel out of their depth when they’re put into a crowd of people they don’t know. And I suppose I can understand why – unless you’re comfortable chatting to people you don’t know, it can be quite a daunting experience.
So, how would you facilitate introducing a group of blind performers who haven’t met before? One would think it would be even harder, right?
As the group of the blind performers, sighted assistants, technical crew and one guide dog met for lunch and a rehearsal ahead of the Blind Date Concert performances, it really didn’t seem hard at all. After the welcome by the SA Library for the Blind, we sat down over lunch to get to know one another, and very soon were laughing over stories of our experiences as blind and visually impaired people living in a sighted world. You’d be amazed at how much common ground we found about the tools and techniques we use to do the things we want to do.
Of course, as a group we represented pretty much the entire spectrum from quiet and retiring right the way through to outgoing and exuberant, but that didn’t seem to matter as we sat and chatted. And no, I’m not going to tell you where I think I fall on that continuum.
By the time our fun and energetic show director, Niqui Cloete-Barrass, from boost Creative Solutions, called us back to order to begin our first and only rehearsal, we were already a united team. Which listening to one another’s sets as we ran through the show only enhanced since it gave us a shared vision of what we could achieve with the show.
And so, amped with the energy of a great rehearsal, we left the SA Library for the Blind primed and ready for our early morning make-up calls and the following day’s show. Which is where I’m going to leave us – until next time, when I’ll tell you about the show itself…
It’s about time I shared some of my experiences from when I went to Makhanda to perform in the National Arts Festival in June.
And where better to start than with a clip of an interview I gave for Algoa FM shortly before heading out of Cape Town.
The clip explains a little about what I was going to be doing at the National Arts Festival, and the show in which I was playing some of my music – hopefully it’ll give you an introduction to my next few articles.
One of the other performers, pianist Michelle Nel, and I were also interviewed on SAFM and I’ll try to share that interview with you as soon as I get a copy from the radio station.
I still find it difficult to find words to explain exactly what the experience of being selected to perform in a show at the National Arts Festival meant to me. But I’ll try to do so over the coming weeks.
I hope you’ll join me for the remainder of my amazing adventure!
Guess where I’ll be this coming weekend – the National Arts Festival in Makhana, formerly Grahamstown. And I’ll be playing a gig while I’m there!
I’m one of the artists performing at the Blind Date Variety Show that’s part of the Fringe Festival – details are in the advert. You can book on the National Arts Festival website: www.nationalartsfestival.co.za
And Fiji will be there with me so no doubt both she and I will blog about our experiences in the coming weeks.
In the meantime, if you happen to be attending the National Arts Festival, it would be great to see you at our show…
At the beginning of 2018 I set myself a very private, very unpublished goal to play a live gig before the end of March… or the end of June at the very latest. But you know how life is and when it got to the end of September I realized I probably wasn’t going to make my goal of the end of March… or the end of June… or possibly even the end of 2018. So I just shrugged my shoulders and got on with the things I needed to do, allowing that particular goal to gently slide into obscurity.
Then the most amazing thing happened.
Out of the blue I got a phone call. A lady by the name of Nadine Mckenzie, of the Unmute Dance Theatre based at Artscape, asked if I’d be willing to play a few songs at Artscape’s Inclusive Arts festival in December. and suddenly my goal of playing live during 2018 became a possibility once more.
Unmute Dance Theatre is a mixed ability group that showcases both disabled and able performers in the arts. The Inclusive Arts Festival is an annual event that takes place at Artscape in the week leading up to 3 December, which is International Day of the Disabled. The festival has a number of performances and shows giving profile to some of our great disabled performers and artists from South Africa and abroad.
The shows investigate how the arts can be enjoyed by persons with disabilities and how disabled performers can showcase their skill.
I was thrilled to be invited to collaborate with the Afro Jazz Trio and vocalist Ms Babalwa Makwetu as the closing act of the concert on Sunday, 2 December. It was an amazing experience standing behind a microphone with my guitar in my hands once more – I loved every single second of it!
As an aside, Not only is Babalwa an accomplished singer and performer in her own right, but she seems to have poetry and melody running through her veins. It’s been a long time since I’ve been able to create new songs as quickly and easily as she does – I keep hoping that some of her creativity will rub off on me as I start to consider what my next musical plans are.
Which is, of course, the question I need to answer. Here today, I’m publicly setting a goal for myself to play a live gig in 2019 – and this time I’m going to try not to let the goalposts shift into obscurity like they did in 2018!
Huge thanks to photographer Chris Adlam for the amazing shots of Babalwa and myself on stage – I have so few photos of me playing guitar that these are a real gift!
Many of you know that one of the first things I did after losing my sight was to join a rock band. Playing music became one of the constants in my life as I came to terms with my blindness and struggled to overcome the challenges of learning to live as a blind woman in a sighted world.
Somehow, over the past few years my music has faded into the background – when I think about it I can’t tell you when I last sat down and played either my guitar or my keyboard.
In the past few months I’ve started playing again – initially just reminding myself of some of my older songs but more recently beginning to create songs again… and I can’t believe I sidelined such a crucial part of my way of being for so long. It feels like I’ve found part of myself again.
Here is a link to some of the songs I wrote – none of the newly created songs I’m afraid – but songs I played with my last band, Tuesday’s child:
I hope you enjoy them!