In my archives I have a stack of files with fragments of stories, poems and songs. No-one else has had the chance of digging through those fragments, but I decided to share one with you today.
It’s the opening paragraphs of a fiction story. And, interestingly, it’s the only one that has a basic plot outline. I had the idea for this story back in June 2014 and wrote the opening paragraphs. Then I drew up a very basic outline for most of the story… except for the very end.
My question for you is this – what do you think is going to happen next, and what genre of book do you think this will land up being?
PS Please remember this is a first draft… and first drafts always need lots of work. At least, mine do.
“Hey, Laura! Aren’t you supposed to be meeting people for lunch?”
Laura Michaels looked up from her computer where she was frantically trying to get the month end figures to balance.
Most people, on meeting Laura for the first time, would dismiss her as being “average”. Laura was 28, though she looked younger than her age. Her youthful looks were accentuated by her diminutive size- at five foot, four inches she was the shortest of her female friends, a fact which she had never reconciled herself to. She had a serious face that was quietly attractive until she smiled, when people around her would be amazed that they had not seen her beauty before. Her short ash-blonde hair was at present tucked behind her ears, a habit which she had tried for years to break, but which she always resorted to when she was stressed.
The slight frown that was another mark of her current tension softened into a quick smile as Laura looked across the partition at her colleague.
“Sorry Kathrine, I didn’t quite get that. What did you say?”
“I was just reminding you about your lunch date today, Laura. You are going out to lunch today, aren’t you?”
“Yup, I’m meeting some old friends in town at 12:30. Why?”
“Because it’s getting pretty late. It’s almost quarter past already.”
Laura glanced up at the clock on the office wall, and her smile faded. Briefly her face reflected shock as she registered that it was already 12:15. The shock turned to dismay as she quickly calculated the logistics of time and travel.
“Shit!” she said with feeling, “I’m going to be late!”
It was almost one o’clock before Laura got to the neighbourhood of the restaurant where she was due to meet her friends. She turned off the main road into the sheltered street where the restaurant was, and started looking for parking. For once Laura’s luck seemed to be with her and she found a parking space almost immediately. Sighing with relief, Laura parked and climbed out of her Golf GTi. Locking the car, she slammed the door and set the alarm before tossing her keys into her oversized bag and setting off down the alley towards the restaurant.
How many books can YOU think of with a disabled character? I’d love for you to drop me a message or a comment listing the characters and books you know of. I think it would be an interesting exercise for us all.
You see, if it’s true that art mirrors reality, then for every eight characters in the books we read, we should find one with a disability. Because that’s what the statistics from the World Health Organisation website tell us– 15% of the global population lives with a disability – https://www.who.int/disabilities/world_report/2011/report/en/#content
I understand some of the reason’s writers may not include us.
- They don’t see us out there in the world
- They don’t want to offend us
- They don’t want to misrepresent us.
Sure, I recognise that it doesn’t appear that every eighth person we pass in the street has a disability so writers may not be aware of how many of us there truly are. Also, many disabilities are invisible – psycho-social, cognitive, reading, some hearing impairments, to list but a few – so perhaps it appears we are a smaller group than we are. Then, because unemployment figures for persons with disabilities are so high, people don’t see us in the workplace. And sadly, sometimes when people do see us, they see the disability first and ignore the person as an individual. Finally, if you don’t have contact with a person with a specific disability, it may be hard to know what we can do.
I also understand the other concerns I listed. People have often told me they are nervous about approaching someone with a disability in case they cause offense by saying or doing the wrong thing. That’s due largely to a general lack of awareness of how we accomplish the tasks we do, the technology that enables us to live mostly “normal” lives, and the tools and techniques we have at our disposal. And yes, we are often scathing in our responses when we see a fictional character with a disability who is poorly represented. Or when disability is represented as being an unendurable catastrophe that cannot be overcome.
I want to challenge my fellow authors to be more inclusive when creating characters. Here are a few guidelines:
- Your lead protagonist doesn’t have to be the one with a disability; it could be a supporting character – but let us be included in the world you’re creating.
- Do your research – There is so much information out there about the way we live our lives as persons
with disabilities, so research this as you would other aspects of your book. Or reach out to someone with the specific disability you’re trying to represent.
- Don’t be scared to ask for input – just as you have beta readers to give you feedback on your book, ask someone with a disability to do the same, preferably someone with the disability your character has; most of us are willing to help, I promise.
Books are by no means the only medium where we are under-represented. Movies and TV are much the same. I’m excited to notice an increase in the number of characters with disabilities over the past few years. But we’ve still a long way to go.
We’re by no means the only minority that face this situation – Recently I’ve seen articles from other minority groups and, in some cases, majority groups, who are not well represented in the publishing world and other media. It’s starting to shift, but I believe we need far greater diversity of voices amongst those writing books. Having said that, a note for other authors with a disability – don’t feel obliged to write only about disability issues – you should feel free to create whatever you want.
So, there it is: my challenge to authors writing fiction – help us feel more included and less invisible in the world you’re creating. Help us see the world we inhabit in the books we read. And help us feel that we’re part of society as we experience it in all ways.
Now, who’s going to start the list of books with characters with disabilities? I’d love to see how many I’ve already read and how many I still have to discover…
I know I’m supposed to be sharing more of my writing with you today, but I’m hijacking my own post for an important announcement for any writers or aspiring writers – especially women writers and aspiring writers.
Tomorrow, the 2020 Women in Publishing Summit kicks off – and I’m excited to be one of the speakers on the first day.
The summit is an online conference where authors, editors, designers, and publishers share valuable information to help anyone who is already a writer or is dreaming of becoming so. I’ve listened to the last two summits and have learned so much from the speakers that had been immensely helpful for my writing.
Registration for the WIP Summit is free, but you’ll gain vast amounts of additional information and resources if you upgrade to the Full Conference Pass. The conference starts on 2 March and goes on for 5 days – the free registration gives you access to each day’s content for 24 hours – and the Full Conference Pass means you can access the videos, audio and transcriptions for each session whenever you like, not to mention the many additional resources presenters have made available to the Full Conference Pass holders. And a Facebook community with year-long workshops and supports for writers and aspiring writers. Totally worth the investment you’ll be making when you buy the Full Conference Pass!
Here’s the link to the free registration: https://loisstrachan–writepublishsell.thrivecart.com/2020-wip/
I can’t tell you how much I’ve learned over the past two years from the Women in Publishing Summit. And I look forward to learning even more from this year’s speakers. Why not join me and also benefit? Register today…
It feels like ages since I filled you in on my progress towards converting my book A Different Way of Seeing: A Blind Woman’s Journey of Living an ‘Ordinary’ Life in an Extraordinary Way” into audio.
So here’s what’s going on…
After doing some research I discovered that I’m unable to work directly with Audible. Their processes require authors to be a taxpayer in USA, UK, Canada or Ireland. Which I’m not. I guess it might be easier if I was signed with a traditional publishing house, rather than self-publishing, but maybe I’m wrong.
It turns out that there are a number of companies who can assist me with publishing the audio book on Audible and a whole range of other platforms. I’m grateful to members of the writing and publishing Facebook groups that I’m a member of for letting me know about a few of these companies. And, after even more research, I think I know which one I’m going to use.
I’m also thrilled to let you know I have a narrator to read the audio book for me. Julie is probably my longest-standing friend – we’ve known each other since we were about 3 years old. And I think her voice will be perfect! Besides, having known me for so long, who better to read the story of my life since losing my sight?
A number of people have asked me why I’m not reading my own book. The honest truth is that I couldn’t think of a way to do so – my Braille isn’t good enough, and I really didn’t fancy the idea of memorizing my story and recording it paragraph by paragraph.
Anyway, we’re about to start the process of recording and I’m excited to hear my story as it comes to life in this new format!
It’ll still be while before the recording is available. I’ll let you know more as it happens…
I was preparing for our first Blind Date Show when my phone pinged to let me know I had a voice message. It was from Paul, a Capetonian colleague, who told me he’d just seen my books in an art exhibition in Makhanda.
And yes, while all the excitement of the Blind Date Concert was happening, my books weren’t forgotten. They were having an adventure of their own!
I’ve mentioned before that the Blind Date Show was part of the 100th year celebration of the SA Library for the Blind. Apart from the show, they also decided to put on an exhibition of creative art works created by blind and visually impaired artists from South Africa. And I was honoured to have been asked to allow my books to be part of that exhibition.
Here’s a photo of the exhibit where my books were displayed – both A Different Way of Seeing and The Adventures of Missy Mouse.
With thanks to Craig Strachan for the photograph, and to Francois Hendrikz of SA Library for the Blind and Catherine Baron, of Inkanyezi Events, for inviting me to be part of both the show and the exhibition.
I’m taking a moment away from my time in France to update you on my progress with turning A Different Way of seeing into an audio book.
As I think I shared in a previous post, I realized I’d need to update the content since so much had changed since writing A Different Way of Seeing. I wrote that update as a separate volume, which I found myself referring to as Filling in the Blind Spots.
I’m currently creating a single script from the two volumes which will be used as a basis for the audio book. which will most likely land up being a single recording comprising both books.
At the same time, I plan to release Filling in the Blind Spots as an e-book.
I still have a few details to work out, but the edited manuscripts are almost ready to go so hopefully it won’t take me too long to move onto the next phase – creating the audio and e-book. I’ll let you know more as I make progress.
And now, back to France…
Here’s my first update on my plan to convert my book, “A Different Way of Seeing: A Blind Woman’s Journey of Living an ‘Ordinary’ Life in an Extraordinary Way” into an audio book.
When I first reread the book, I got the feeling that there was quite a bit that I could update. That, of course, would be the deciding factor of whether or not to try and find a way to update the content given in the audio version. It didn’t make sense to me to figure out how to do it before working out if there was enough material to make an update worthwhile.
When I started listening to each chapter and jotting down ideas of what could be added, what had changed and what I can do now that I couldn’t when I wrote Different Way of Seeing I found I actually had a wealth of new information – from looking at how apps have solved some of the challenges in the kitchen, right the way through to sharing a little of the wonderous adventures I’ve had since meeting Fiji.
Yes, some chapters have more updates than others. Ultimately very little’s changed in how I select clothing and make-up, but I have lots of new stories to share with you so, even where little’s changed, there’s still lots to share that I hope will both entertain and inform you as you listen.
I’m still in the phase of figuring out what needs to go into the update. If you’d like to know how I accomplish any specific task… and I really do mean any task… I’d love to hear from you – I may not use your question in the update, and I may already have answered it in Different Way of Seeing, but I’ll still get back to you with a response of some form.
Looking forward to hearing your input…
I’ve been rereading my book,” A Different Way of Seeing – A Blind Woman’s Journey of Living an ‘Ordinary’ Life in an Extraordinary Way”, before starting the journey of turning it into an audio book. I can’t tell you how many people have asked if the book’s available on Audible. I’ve been meaning to get it into audio for some time – and that time is now!
It’s been really interesting comparing the person I am now to the me who wrote the book three years ago. In truth, it’s been quite a revelation!
Here’s some of the things that’ve struck me:
- How much my writing style’s evolved –I’m over the moon when people who’ve read my book tell me I write just like I speak. I wanted the book to have a conversational tone and people tell me that’s how they feel, too. I also feel my writing “voice” has developed from writing regular blogposts. But I frowned when I reread my book because my language was more formal than I remembered– “It is” instead of “It’s”, “I have not” instead of “I haven’t”, just for two simple examples. And I’m worried the audio version will sound unnaturally stilted because of the language unless I change it a little.
- How much has changed–the number of things I’m doing that I wasn’t doing then, like podcasting, playing the occasional game on my iPhone, using online meeting software to run interviews, and becoming more involved in the accessible travel community; how much the work I’m doing has been refined; how much more comfortable I’ve become in trying new technologies; how much Fiji and I have grown and developed as a team, to name but a few of the ways my life has changed since writing the book.
- How much I’ve learned– time and time again I found mention of tasks I couldn’t do without sighted assistance at the time of writing that I now do on my own using technology. Often I’d smile at my prior self, knowing how more independent I’d soon become. Not to mention shaking my head in wonder at a few things I considered improbable, if not impossible, back then that are now also completely routine to me.
It’s been a valuable experience for me and given me plenty time to reflect on my growth.
Some of you may be wondering why I’m going to the trouble of rereading my own book just to turn it into an audio book. The answer is that I plan to update the content for the audio version. Because, while most of what I included is still relevant, the things that have changed are so significant that they’ve altered how I do things which, after all, is what my book’s about.
I’ll keep you updated on how things are going as I carry on with this journey – most of the details are still vague, but I’m keeping my eyes firmly on the prize!
A little while back I read “The City & the City” by China Mieville. It’s a story about a city that, for some inexplicable (or in my case forgotten) reason has been divided into two totally separate cities. As a citizen of one city you are not permitted to acknowledge the existence of the other city and its inhabitants even though you may share the same roads and the same neighbourhoods.
At the time I read the book we were planning our trip to Europe including a few days in Berlin. I found myself wondering whether living in Berlin before the Berlin Wall fell in 1990 was anything like what was portrayed in Mieville’s novel.
Even though Berlin is a united city once more and has done much to reinvent itself since 1990, the strange circumstances in which the city found itself for 45 years has had an unusual impact on the geography of the city.
Usually when we tour a city we find one or two central areas where most of the historic buildings are situated – but not in Berlin. As we navigated round the city Craig commented that many of the sites seemed far away from each other, and that he had underestimated the amount of time it would take to travel around.
Here’s what I think. From 1945 – 1990 Berlin was split into two geographically similar cities. Each city had to develop separately, with systems and services being needed by both. So much was duplicated – within the boundaries in West Berlin, and, often on the outskirts, of East Berlin. So, while many historic buildings are near the Brandenburg Gate, which lies on what was the boundary between East and West Berlin, many are not. And I think that’s the reason it takes so long to travel the city.
You may laugh, but I had a second realization when I was in Berlin. I’d always envisioned the Berlin Wall as being there to keep East Germans “in”. In reality, since Berlin was surrounded by East German territory, the Berlin Wall was built to enclose West Berlin. I guess I equated West Germany with freedom and East Germany with confinement and that dictated my mental image of the city. Still, it was quite a revelation to me when I realized how my reality had been shaped by the words I used.
And so, back to where we started – China Mievilles novel “The City & the City”. I have no idea if living in a divided Berlin in any way resembled the novel, but the book certainly sprang to mind many times during our time in the city & the city that are now united once more.
“I can’t imagine any visually impaired person would prefer reading books using a computer voice rather than a human voice!”
I’m probably misquoting the words but that was the sense of a comment I heard on one of the assistive technology podcasts I regularly listen to. My immediate response was to disagree vehemently… and then I paused and thought about it for a bit.
You see, I actually do prefer reading using a computerized voice. And I seriously doubt I’m the only blind person who does so. So I hopped onto Facebook and asked the question, tagging all the visually impaired people I’m connected with on that platform.
It wasn’t just curiosity that drove me, though anyone who knows me will agree that I have a finely developed sense of curiosity. I also wanted to find out to help me reach more blind and visually impaired people with my own books.
It turns out that most of the people I asked preferred human voice books in the form of audio books or services like Audible.com. When chatting to a friend about this startling (to us both) fact he offered a few reasons why this might be so, but his rationale was fairly complicated and this is only meant to be an article, not a thesis!
When I first lost my sight I used to listen to audio books and found that my opinion of the book often depended on the quality of the reader and, in some cases, how well I felt the reader’s voice fitted the genre of the book. Of course, that was back in the days when my only source of books was the library service, Tape Aids for the Blind where the readers were all volunteers so the quality varied quite a bit. Thankfully there was only one instance that the reader was so bad that he totally killed the book for me! But I truly began to feel like I was juding the books, not by their covers but by their readers.
Then someone introduced me to reading on computer using a screen reader and my life was transformed. I loved the ability to scan any book I wanted and read it. I loved the ability to change the rate and pitch of the voice – if you try that with a human voice it often lands up sounding like Minnie Mouse on helium which really isn’t pleasant. But most of all I loved that I was free to interpret the words in whatever way I chose to rather than having my impressions of the book determined by the reader– to me that was the closest I’d found to reading as I’d done when I still had sight.
Ultimately I don’t think there’s a right and wrong way to read when you’re visually impaired. The important thing is that we have the ability to read in whatever format we each prefer, whether it’s using human voice, computer voice, or braille.
But my investigations got me thinking that I really ought to do an audio version of my book, A Different Way of Seeing… Anyone interested in reading for me?